RotaPola - Motorised Polariser for automotive productions — Cinefade
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“The opening shot of the movie involves just a shallow portion of the of the tail of the airplane in focus. It all happened at dawn and I knew I needed ND in the camera, but I wasn't exactly sure how much and we weren't sure if it was going to
“On one particular shot, we did adjust the depth of field. It's very subtle, because it's difficult to tell in the final cut. The shot starts out with Jesse's wife and his daughter at bare minimum depth of field with the rest of the ocean and e
The cinematography of Devotion by DP Erik Messerschmidt ASC relied heavily on camera mounts, cranes and other contraptions to capture the images of the war epic. . . . @emesserschmidt @JGDillard @devotionmovie #DevotionMovie @reddigitalcinema #komodo
 
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